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Latin American Music on the Piano & Bandoneon | Claudio Constantini · MarchVivo
The bandoneon, originally designed as a portable organ, found its purpose when European sailors and immigrants brought it to the Río de la Plata.
It soon became the quintessential symbol of Rioplatense tango and its use spread throughout the border territory between Argentina, Brazil and Paraguay.
- Claudio Constantini (1983)
- 00:00 Summertime Variations, on a theme by George Gershwin
- Heitor Villa-Lobos (1887-1959)
- 15:19 Chôro nº5 “Alma brasileira”, W207
- Gabri Mesquita (1982)
- 19:59 Frevo
- Alberto Ginastera (1916-1983)
- 23:05 Danza del viejo boyero
- 24:28 Danza de la moza donosa
- 28:20 Danza del gaucho matrero
- Astor Piazzolla (1921-1992)
- 31:39 Otoño porteño [Autumn] (The Four Seasons of Buenos Aires) [Watch]
- Rosita Melo (1897-1981)
- 36:42 Desde el alma [Watch]
- Aníbal Troilo (1914-1975)
- 39:47 Che, bandoneón [Watch]
- Polo Giménez (1904-1969)
- 44:29 Campo Nomas [Watch]
- Claudio Constantini, piano and bandoneon
- Concert (excerpt) “Keyboards without borders”, from the series “Popular America” [Watch]
Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts
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